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I had hoped that Kong would live up to my expectations and take its place as my pick for the best film of 2005, but the film fails for more often than it succeeds, and I suspect it's the viewer's ability to overlook (or ignore) these failures that will determine whether they'll enjoy Peter Jackson's "epic" remake. It's quite easy to name the two aspects of the production that work: Kong himself is a superbly designed and animated CGI creation, and Naomi Watts has such luminous charm that she steals the vast majority of the scenes she's in. The first few quiet moments that Kong and Ann spend together are easily the best in the film and in theory the strength of both Kong and Watts' performances should be all you need to "buy into" the film; the faults managed to alienate me to such an extent that by the time the action moved to New York, I wanted the film to be over. The faults are numerous and significant. Kong aside, a large chunk of the CGI (or rather the CGI/Live action composite) is very poor; the initial dinosaur stampede is some of the worst blue-screen I've seen in recent years, with no sense of interaction between the dinosaurs and the human actors that they're supposedly nearly trampling. The Kong vs T-Rex (x3) fight is too long, and while the vine sequence is briefly entertaining, it's an over-the-top CGI roller-coaster with no emotional impact what-so-ever. The fabled "spider cave" sequence feels out of place - it's so dark and in your face that on reflection it only serves to slow down the action, and kill off another couple of characters. By the time we reach New York, so much bad CGI, dialogue, and acting has littered the screen that I was completely disengaged. And what of the other actors? Jack Black doesn't cope very well with the duties he's called upon to perform, and is seemingly incapable of delivering any of his lines with any sincerity (including the final line of the film). Adrien Brody (equipped with a face I could never tire of smacking) essentially sleepwalks his way through the film, perhaps aware that he is as pointless as the tacky CGI velociraptors. The numerous disposable crew members do no more than slow down the action, and whoever dreamt up Billy Elliot's terrible Heart Of Darkness sub-plot should be shot - "It's not an adventure story, is it?" "No Jimmy, it's a tedious, overlong CGI indulgence". Much has been said about the films "massive" three hour duration. I would argue that a great deal of the film's content could and should have been left on the cutting room floor (or, more accurately, relegated to the back of a hard disk somewhere), and that I would have been far more involved as a result. Final thoughts? A massive let-down - perhaps I'll come back to Kong on DVD and enjoy it significantly more than I did in the cinema, given that my expectations will be suitably lower. Perhaps, in the comfort of my own home, I'll be drawn in a little more. As it stands right now, this is a long way away from being film of the year.
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